| The Reunion | jig | Amajor | November 23rd 2009 |
| Deildy Aberteifi | jig | Dmajor | November 22nd 2009 |
| Cape Breton | jig | Dmajor | November 22nd 2009 |
| Gan Ainm | barndance | Dmajor | November 22nd 2009 |
| The Fiddle Player | reel | Dmajor | November 21st 2009 |
| Planxty Burke | waltz | Edorian | November 20th 2009 |
| 40 Year | waltz | Eminor | November 20th 2009 |
| The Jubilee | polka | Amajor | November 18th 2009 |
| Tour 25 | reel | Gminor | November 18th 2009 |
| A Jig For Sarah | jig | Gmajor | November 18th 2009 |
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Enter the name of a tune (or leave this field blank to view all the tunes):
| Traditional Gaelic Melody (They Stole My Wife Last Night) | strathspey | Aminor | May 25th 2009 |
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You can try searching for a tune by entering a fragment in ABC format, e.g. FAA BGG
Results are returned irrespective of octave.
| Date: | Title: | Requested by: | |
|---|---|---|---|
| November 23rd 2009 | Foggy Dew | patvancar | |
| November 22nd 2009 | Asleep At The Wheel | tracey72 | |
| November 22nd 2009 | Sham's Palace | tullyvoney | |
| November 22nd 2009 | Foggy Dew | old lady nancy | |
| November 21st 2009 | Margarets Waltz | Wenda Bartlett | |
| November 20th 2009 | The Lonesome Road To Dingle (slide) | vicentllado | |
| November 20th 2009 | Banks Of The Moy/Kitty McGinnis (Robin Bullock) | Jeremy Hughes | |
| November 19th 2009 | The Night Before Larry Was Stretched | jpn | |
| November 19th 2009 | Danny Breens Reel | seanvsmith | |
| November 18th 2009 | The Possum's Tail Is Bare | baylady |
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Newest Comments:
The above is simple flip-flop
... of the dot and equal sign, but why that would convert to an extra note is beyond the realm of my ABC understanding! more…
Fifth bar of the C part...
in the same transcription you posted is also very odd: ^f/g/a=.f gde | For some reason, this converts as having a C natural between the a and f! Strange! more…
For example...
In the B part of the O'Neill's you've posted (the first X: 2 on this page), the second measure is this: | fed cd_e | so, there's an E natural descending followed by an E flat ascending. This is very different in effect from what's in O'Neill's. The same… more…
The Reunion
I learned this jig years ago from a recording by Russ Barrenburg, and goes great in a medley with Charlie Lennon's more…
Missing slur added
I added a slur tying the first 4 notes together; I think it makes it easier to play this way (for fiddlers anyway): more…
You might find this tune on Donald Angus Beaton's tape. I know that he played it and I thought that he played it in C major. more…
Unfortunately I have still problems with abc notation so the sheetmusic is made a bit wrong. Arcs (don't sure if it's the proper word) are placed in wrong places. But I've already corrected the ABC notation. Sorry for problems. more…
Sometimes 3/4 does better justice to a melody than the previously used 6/8, as does 4/4 for some black and dense scores that were originally scored as 2/4. It doesn't reduce the quaility or pleasure in a good tune, it just works better in some cases, IMH… more…
Oranaiche
"With most Scottish tunes (piobearachd, as they're called) they originated as a ONE part tune, and many have been evolved into 4 and 6 part tunes, with the other 3 or 5 parts being variations on the first, original part... not true with ALL, but by any me… more…
I don't cut it with water at all...
more…
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