Key signature: Eminor
Submitted on October 27th 2009 by domnull.
This tune has been added to 10 tunebooks.
Also known as Trowie Burn.
Recordings of a tune by this name:
X: 1
T: Trowie Burn, The
M: 3/4
L: 1/8
R: waltz
K: Emin
G4A2|B<e-e2d2|B2>A2G2|A4c2|B4A2|A2>G2A2|B4A2|G<E-E4|
G4A2|B<e-e2d2|B2>A2G2|B2>c2d2|d<e-e2E2|B4A2|G<E-E4|D<E-E4:|
g4a2|b2>a2f2|g4d2|B<G-G4|A4c2|B4A2|A2>G2A2|B4A2|G<E-E4|
[1g4a2|b2>a2f2|g4d2|B<G-G4|B2>c2d2|d<e-e2E2|B4A2|G<E-E4|D<E-E4:|
[2G4A2|B<e-e2d2|B2>A2G2|B2>c2d2|d<e-e2E2|B4A2|G<E-E4|D<E-E2|]
Trowie Burn
Nice tune I heard on Ceilidh House Sessions CD.
abc adapted from Walshaw's abc site, which has a bit of a long winded notation, and I've changed a couple of notes to fit the version on my CD
# Posted on October 27th 2009 by domnull
Nice tune indeed. It was composed by Friedemann Stickle, a German sailor and fiddler washed up on Shetland. According to legend he was abandoned there by his shipmates who couldn't stand his playing.
The way I've heard it is not as a waltz but with irregularly alternating 3/8 and 2/8, probably best played with Bert Lloyd's dictum in mind that in English folk song there's one bar per beat.
(Yes, ok, it's neither English nor a song.)
# Posted on October 28th 2009 by Jürgen
.thanks for the extra info Jurgen. It's not a waltz per se, but the only choice for 3/4 time shoehorns it into the waltz category here
# Posted on October 28th 2009 by domnull
I think you can take a quick listen here
http://www.amazon.com/Tavern-Edinburgh-Ceilidh-House-Sessions/dp/B000002413
# Posted on October 28th 2009 by domnull
Thanks for the link domnull. So the Ceilidh House folks play it indeed in straight 3/4.
I play it more or less like this (not with 3/8 + 2/8):
X:1
T:The Trowie Burn
C:Friedemann Stickle
M:6/8
K:EMin
G2A Bed|BAG A2c|{Bc}(2BA (2::3AG/A/|{Bc}B2A (2G/E3/|\
G2A Bed|BAG Bcd|(2eE {Bc}B2A|(2G/E3/ E3:|g2a baf|\
M:9/8
g2d (2B/G3/ A2c|\
M:6/8
{Bc}(2BA AGA|{Bc}B2A (2G/E3/|g2a baf|\
M:9/8
g2d (2B/G3/ Bcd|\
M:6/8
(2eE {Bc}B2A|(2G/E3/ E3|g2a baf|\
M:9/8
g2d (2B/G3/ A2c|\
M:6/8
{Bc}(2BA AGA|{Bc}B2A (2G/E3/|G2A Bed|\
BAG Bcd|(2eE {Bc}B2A|(2G/E3/ E3|]
IIRC, this came from Richard Robinson's collection. I think it's more tricky to notate (and read) than to actually play it
A while ago I played it with Kevin Henderson, and he seemed to agree to the rhythm, though it didn't occur to me to ask him about the 3/4 version.
Brass Monkey used to play it that way, too.
# Posted on October 28th 2009 by Jürgen