Key signature: Gmajor
Submitted on July 13th 2007 by ceolachan.
This tune has been added to 5 tunebooks.
Also known as Shutter's.
X: 1
T: Shuter's
M: 4/4
L: 1/8
R: hornpipe
K: Gmaj
|: (3DEF | G2 G2 G2 (3ABc | d>cB>A G>A (3BAG | A2 A2 A2 e>d | c>BA>G F>AD>F |
G2 (3GGG G2 B>c | d>c (3cBA G2 g2 | f>af>d (3efg e>^c | d>A (3GFE D2 :|
|: F>G | A2 A2 A2 (3ABc | d>BA>G F>AF>D | d2 d2 d2 (3def | g>ed>c (3Bcd B>G |
e2 c2 G2 (3gfe | d2 B2 G>gg>d | e>cG>c B>A (3AGF |G>d (3cBA G2 :|
"Shuter's Hornpipe"
Thomas Wilson's "A Companion to the Ballroom", London, 1816 ~
X: 2
T: Shuter's Hornpipe
M: 4/4
L: 1/8
R: hornpipe
K: G Major
|: G2 G2 G>AB>c | d>cB>A G>AB>G | A2 A2 A2 e>d | c>BA>G F>AF>D |
G2 G2 G>AB>c | d>cB>A G2 g2 | f>af>d e>ge>^c | d2 d2 d4 :|
|: A2 A2 A2 B>c | d>BA>G F>AF>D | d2 d2 d2 e>f | g>ed>c B>dB>G |
e2 c2 c2 g>e | d2 B2 B2 g2 | e>ce>c B>AG>F | G2 G2 G4 :|
& no frills ~
X: 3
T: Shuter's Hornpipe
M: 4/4
L: 1/8
R: hornpipe
K: G Major
|: D2 |
G2 G2 G2 Bc | dcBA G2 BG | A2 A2 A2 ed | cBAG F2 FD |
G2 G2 G2 Bc | dcBA G2 g2 | fafd ege^c | d2 f2 d2 :|
|: FG |
A2 A2 A2 Bc | dBAG F2 D2 | d2 d2 d2 ef | gedc B2 G2 |
e2 c2 c2 g2 | d2 B2 B2 g2 | e2 c2 BAGF | G2 B2 G2 :|
# Posted on July 13th 2007 by ceolachan
"Shuter's Hornpipe" ~ O’Neill's "Waifs and Strays of Gaelic Melody", 1922
Page 119, tune #317: “Shuter’s Hornpipe”
Wilson’s Companion to the Ballroom 1816
X: 4
T: Shuter's Hornpipe
M: 4/4
L: 1/8
R: hornpipe
K: G Major
|: G2 G2 GABc | dcBA GABG | A2 A2 A2 ed | cBAG FAFD |
G2 G2 GABc | dcBA G2 g2 | fafd ege^c | d2 d2 d2 z2 :|
|: A2 A2 A2 (3Bdc | dBAG FAFD | d2 d2 d2 ef | gedc BdBG |
e2 c2 c2 ge | d2 B2 B2 g2 | ecec BAGF | G2 G2 G2 z2 :|
# Posted on July 13th 2007 by ceolachan
"Shuter's Hornpipe" ~ The Fiddler's Companion by Andrew Kuntz
http://www.ibiblio.org/fiddlers/index.html
http://www.ibiblio.org/fiddlers/SHO_SHU.htm
SHUT(T)ER'S HORNPIPE. English, Hornpipe. England; Northumberland, Yorkshire. A Major (Merryweather & Seattle, Seattle/Vickers): G Major (Bewick, Orford, O’Neill). Standard. AABB. Composed by “Morgan.” This hornpipe was, according to Merryweather and Seattle (1994), once quite well-known--indeed, it is found in a number of collections--though is not heard often today. The editors suggest it was named after the 18th century comic actor, Ned Shuter (d. 1776). An article in the volume English Actors: From Shakespeare to Macready (Henry Hold and Co., New York. 1879) has this to say of Ned:
***
Garrick pronounced Ned Shuter to be the greatest comic genius he had ever known. He was the original Old Hardcastle and Sir Anthony Absolute, Papillon in The Liar, and Justice Woodcock in Love in a Village. Strange to say, he was a follower of Whitefield’s, a constant attendant at the Tottenham Court Road Chapel,and divided his time pretty equally between drinking, playing, and praying; when drunk he could scarcely be restrained from going into the fields and preaching upon original sin and regeneration. Tate Wilkinson, who was a hanger-on upon Shuter, relates how he used to accompany him on Sunday mornings at six to the Tottenham Court Road Chapel; at ten to another meeting-house in Long Acre; at eleven back to Whitefield’s chapel; at three to some other; and in the evening to Moorfields. He was very liberal to the Whitefieldites, and it is said that Whitefield himself, although a bitter denouncer of all persons and things dramatic, on the occasion of Shuter’s benefit recommended the congregation to attend the theatre for once, on that night only. ~ etc...
Other sources listed ~
Bewick's Pipe Tunes, 1986; No. 44. Merryweather & Seattle (The Fiddler of Helperby), 1994; No. 8, pg. 29. Orford (John of the Greeny Cheshire Way), 1985; pg. 95. Seattle (William Vickers), 1987, Part 2; No. 379.
# Posted on July 13th 2007 by ceolachan