Key signature: Amajor
Submitted on April 18th 2002 by Enob.
This tune has been added to 336 tunebooks.
Also known as Frank's, Frank’s, Franks.
Recordings of a tune by this name:
X: 1
T: Frank's
M: 4/4
L: 1/8
R: reel
K: Amaj
|Ac BA F2 AF|EF AB cA Bc |d3 f ec Ae |fa ec (3Bcd cB |
Ac BA F2 AF|EF AB cA Bc |d3 f ec Ac |BA GB A2 (3EFG |
Ac BA F2 AF|EF AB cA Bc |d2 df ec Ae |fa ec (3Bcd cB|
|Ac BA EF AF |EF AB cA Bc |df (3fff ec Ac|BA GB Ae fg||
|aA Ag AA fA |ef fe cA Bc |d3 f ec Ac |Bc de fe (3efg |
aA Ag AA fA |ef fe cA Bc |df (3fff ec Ac |BA GB Ae fg |
aA Ag AA fA |e f2 e cA Bc |d3 f eA ce |fa ec (3Bcd cB|
|Ac BA F3 A |EF AB cA Bc |d3 f ec Ac |BA GB A4 ||
Frank's
This is another great tune from John McCusker, who has written many fine tunes.
I think this sound better played fairly quickly, as indeed John does on his first album 'John McCusker', Temple Records COMD2059.
# Posted on April 18th 2002 by Enob
You beat me to it. This is one of my favorite McCusker tunes. He
taught it to a master class that I watched once (only advanced players
were allowed to participate to keep the class small). He changed some
8th note pairs into triplets (for example, the first 2 notes - fa - in
the 4th bar and the 12th bar - sorry, I don't know how to do the
ABCs). For those fa pairs, he would do fga instead. Also, he pushed
the class hard on attacking the triplets (all except the EFG at the
end of the 8th bar - that is more of a pickup and it was done in one
bow and smoothly). He used short bows and had the class pick the bow
up off the string and then aggressively go after the notes. And he did
this tiny little pause right before the triplets (from picking the bow up?), that would set them off from the rest of the tune. This added something to the tune that I liked alot. Also, it does sound better faster - when he
played it in the concert the next day, he screamed through it and it
sounded great.
Another tune of his that is very beautiful is a slow reel named after
two friends of his Xeres and Felicia (or something like that). I
will try to put it into ABCs if I can remember all of it.
# Posted on April 18th 2002 by chicagofiddler
Frankly, my dear
This is a very very cool tune indeed.
I play it on the flute in G the first time around, and then take it up a step to A: it's a thrilling change, like getting a vitamin B injection or something
# Posted on September 28th 2004 by Q
I keep meaning to learn this but the B-part keeps stopping me in my tracks. There's something about the really obvious syncopation of it that makes the hairs on the back of my neck stand up. The A-part's nice though. Everyone else at my session loves it, purists and funkies alike, so I guess I'll have to learn it eventually anyway.
# Posted on September 28th 2004 by Dow
Oh do cheer up, Dow!
I really like the synchopated B part. It may be obvious, but then, well, so is most trad! I think that's why it's so much fun.
%7)
# Posted on September 29th 2004 by Q
I've always heard this tune and had the same reaction as Mark, but Brendan just sent me a recording he made of Laurel Martin playing it, and now I think I'll learn it. Maybe it's the speed she's taking it (not lightning fast like you hear it at most sessions, which tends to turn it into one of Will's "room of bees" tunes in large groups of players, but a nice steady medium pace) or maybe it's the nice style she has...
# Posted on April 25th 2006 by Zina Lee
Errr....
and I just realized that the A part puts me in mind of "I'm bringing home a baby bumble bee..."
# Posted on April 25th 2006 by Zina Lee
LOL. And for my part, well I must have learnt it sometime between Sept 2004 and now because I can play it now, but I *still* don't like that B-part
# Posted on April 26th 2006 by Dow
Head full of bumble bees
One of my ex work colleagues unkindly told me one time that my head was full of bumble bees.
This is a great tune, even although it gets overplayed here and often far too fast.
Zina, How are you? I've missed you.
# Posted on April 26th 2006 by Back for a while
I actually played this to Dow in the wee hours of a drunken night in Feb 2006 and he never took the p155 out of me. Or if he did, I was too p155ed to detect it.
Perhaps he woke up hungover next morning (or afternoon) and found he could suddenly play it.
It's just one of those tunes that got taken up a bit too enthusiastically at first by the young set, with the inevitable reaction. Still a good tune though. Some folks here play it with the B part first - not sure why.
For a similar tune in A with slightly less obvious syncopation, try Billy Thom's Reel
# Posted on March 1st 2008 by Bren
Oh no, it was 2007. Where did that year go? So much for that theory
# Posted on March 1st 2008 by Bren
Frank's reel
Actually it's called Frank's Reel in Johns book. I slowed his recording down ( a lot ) to hear what he plays and there are triplets in the first figure over and over again. It would be great if I could learn a bowing that works for the A part. Ted
# Posted on July 14th 2008 by restless.cd40
Deoch n Dorus
This band does an outstanding arrangement on the first track of their eponymous debut. Arranged by their accordionist Stewart Cameron - he's moved the triplets to the beginning of bar 4 and recapped on them near the end of part B.
The most amazing 60 seconds of music i've heard in a long time!
# Posted on July 24th 2008 by Steve Brown
Frank's reel
Here's a nice rendition of this tune by Ben the Hoose, it's the second tune.
http://www.youtube.com/watch?v=r-qM-WEucK0
# Posted on August 27th 2009 by conscientious objector