Key signature: Gmajor
Submitted on November 20th 2001 by Will CPT.
This tune has been added to 143 tunebooks.
Also known as Barbary Bell, Barbary Belle, Barbary Belles, La Feile Naoim Patraic, La Feile Padraig, La Gheile Paidric, Perry's Victory, Saint Patrick's Day, St. Partick's Day In The Morning March, St. Patrick's Day, St. Patrick's Day In The Morning, St. Patrick’s Day.
Recordings of a tune by this name:
X: 1
T: Saint Patrick's Day
M: 6/8
L: 1/8
R: jig
K: Gmaj
D|:GAG GAB|ded dBG|AGA BGD|EFE E2 D|
|GAG GAB|ded dBG|AGA BGD|1 E2 FG2 D:|2 E2 FG2 B||
|:def gag|fed edB|def gag|fed e2 d|
|def gag|fed efg|dBG GAB|ded dBG|
|AGA BGD|EFE E2 D|GAG GBd|gfe dBG|
|AGA BGD|1 E2 FG2 B:|2 E2 FG2 D||
Saint Patrick's Day
Glauber started a discussion on set dances, so I thought it would be appropriate to post onee of the more popular set dances, Saint Patrick's Day. The dancers here request it frequently. Some dancers want the B Part repeated (AABB)...other's expect to hear it only once before returning to the A Part (AABAAB). It never hurts to ask first, though many dancers won't know until you actually play it for them.
Watch for those "extra" bars in the B Part--remembering where you are is the trickiest part of playing this tune.
# Posted on November 20th 2001 by Will CPT
Aaaand, for your edification, here are the words to St. Patrick's Day -- at least, one set of them.
Thomas Moore, from Irish Melodies, vol. 4
"This song was written for a féte in honour of the Prince of Wales's Birthday, given by my friend, Major Bryan, at his seat in the county of Kilkenny." - from Irish Melodies.
Though dark are our sorrows, today we'll forget them,
And smile through our tears, like a sunbeam in showers:
There never were hearts, if our rulers would let them,
More form'd to be grateful and blest than ours.
But just when the chain,
Has ceased to pain,
And hope has enwreathed it round with flowers,
There comes a new link,
Our spirits to sink
Oh! the joy that we taste, like the light of the poles,
Is a flash amid darkness, too brilliant to stay;
But, though 'twere the last little spark in our souls,
We must light it up now, on our Prince's Day.
2. Contempt on the minion who calls you disloyal!
Though fierce to your foe, to your friends you are true;
And the tribute most high to a head that is royal,
Is love from a heart that loves liberty too.
While cowards, who blight
Your fame, your right,
Would shrink from the blaze of the battle array,
The Standard of Green
In front would be seen
Oh, my life on your faith! were you summon'd this minute,
You'd cast every bitter remembrance away,
And show what the arm of old Erin has in it,
When roused by the foe, on her Prince's Day.
3. He loves the Green Isle, and his love is recorded
In hearts which have suffer'd too much to forget;
And hope shall be crown'd, and attachment rewarded,
And Erin's gay jubileee shine out yet.
The gem may be broke
By many a stroke,
But nothing can cloud its native ray;
Each fragment will cast
A light to the last
And thus, Erin, my country, though broken thou art,
There's lustre wiithin thee, that ne'er will decay;
A spirit which beams through each suffering part,
And now smiles at all pain on the Prince's Day.
# Posted on November 20th 2001 by Zina Lee
St.Patrick´s Day
I have heard that this tune was played by the pipers of the Connaught Rangers at the battle of Waterloo in 1815, and that it was also played by Irish piping regiments in the Duke of Marborough´s campaigns in Europe in the early 18th century.
# Posted on July 27th 2002 by murfbox
Saint Patrick's Day
I know this tune as Saint Patrick's Day in the Morning
m
# Posted on October 22nd 2002 by lazyhound
St. Patrick's Day In The Morning in the Argentine Navy
This tune was made play by the Captain William Brown (born in Foxford, County Mayo, Ireland) in the Montevideo's naval combat in May 17, 1814, between the Spanish and Independentist ships. The Admiral William Brown is the father of the Argentine Navy. A version can be found in http://www.ara.mil.ar/historia/marchas/marchas.htm
PD. Sorry my bad english
# Posted on July 11th 2005 by bouchard_corsario
St. Patrick's Day in the Morning
This tune can be documented in printed sources back to 1740s and it must be older than that. Definitely "an oldie but a goodie."
# Posted on December 24th 2005 by Sean MacOda Criobhan
PVB Session Playlist
Portneuf Valley Brewing Company ~ Pocatello, Idaho, U.S.A.
http://www.thesession.org/sessions/display/1197
X: 1
T: Saint Patrick's Day
M: 6/8
L: 1/8
N: Set - Saint Patrick's Day, The Blarny Pilgrim, The Irish Washerwoman
R: jig
S: Valerie Finnigan, Rune Stone
K: Gmaj
D |: "G" GAG GBc | ded dBG | "D" AGA "G" BGD | "C" EFE E2D |
| "G" GAG GBc | ded dBG | "D" AGA "G" BGD |1 "C" E2F "G" G2D :|2 "C" E2F "G" G2d |
|: "Em" def g2e | "D" fed "C" eBA | "Em" Bef g2e | "D" fed "C" e2d |
| "Em" def g2e | "D" fed "C" efg | "G" GAG GBc | ded dBG |
| "D" AGA "G" BGD | "C" EFE E2D | "G" GAG GBc | ded dBG |
| "D" AGA "G" BGD |1 "C" E2F "G" G2B :|2 "C" E2F "G" G2D |
# Posted on July 3rd 2006 by Rune Stone
Nice one Rune, I like the N: ~ a great way to show the set you guys play it in. Thanks, much appreciated and valued...
# Posted on July 3rd 2006 by ceolachan
Maybe I'm preaching to the choir here, but the way I've heard it has always been AAAB- prep 8 bars, right foot, left foot, The Set- at feiseanna and on my practice CD's ;) . It was the first hardshoe I learned... Since it's a traditional set, though, I've never heard the B part repeated. The Set isn't done on the left foot.
If it's going to be played for dancers, I'd say be sure to include the extra 8 bars for every repeat of it AAABAAAB, etc. Otherwise there's no time to count/prepare and you end up losing half the right foot- which isn't pretty ;)
# Posted on March 17th 2007 by wathgwen
Another way
This one of the jigs once played in the central Appalachians and makes a nice little tune in standard AA BB format...
|: d>ef gfe | fed edB | d>ef gfe | fed e3| def gfe | fed edB |
| AGA BAG | E2F G3 :|
# Posted on March 18th 2007 by Sean MacOda Criobhan
That was just the b part with repeats....
THe "A" isn't much different than whats already here.
# Posted on March 18th 2007 by Sean MacOda Criobhan
"St. Patrick's Day" ~ duplication rescue
Key signature: G Major
Submitted on March 18th 2007 by Falkbeer.
X: 1
T: St. Patrick's Day
T: St. Patrick's Day in the Morning
M: 6/8
L: 1/8
R: jig
K: Gmaj
|: D |
G>AG GBc | d>ed dBG | A>GA BGD | E>FE E2 D |
G>AG GBc | d>ed dBG | A>GA BGD | E2 F G2- :|
|: G |
d>ef g2 e | f2 d e2 d | d>ef g2 e | f2 d e3 |
d>ef g2 e | f2 d e2 d | d>BG GBc | d>ed dBG |
A>GA BGD | E>FE E2 D | G>AG GBc | d>ed dBG |
A>GA BGD | E2 F G2 :|]
# Posted on July 29th 2007 by ceolachan
"St Patrick's Day"
It's a set dance in 6/8 time. In other words there's a specific dance which goes with the tune which explains why there are only 14 bars in the turn rather than the 8 or 16 most musicians would expect - ie a conventional jig wil have 8 bars that are normally repeated in each part.
# Posted on March 19th 2007 by Bannerman
# Posted on July 29th 2007 by ceolachan
Here's yet another setting in the key of F from a 1909 edition of "The Remick Favorite Collection of Old Home Songs".
X:1
T:Saint Patrick's Day
C:Barry
C:Arr by George Rosey.
M: 6/8
L:1/16
N: From "The Remick Favorite Collection of Old Home Songs" (1909) Price 50¢ p. 58
K:F
C2|F3 G F2 F2 G2 A2 |c3 d c2 c2 A2 F2 | G3 F G2 A2 F2 C2 | D3 E D2 D4 C C|
F3 G F2 F2 G2 A2 | c3 d c2 c2 A2 F2 | G3 F G2 A2 F2 C2 | D4 E2 F4 c2 |
c2 d2 e2 f4 d2| e4 c2 d4 A2 | c2 d2 e2 f2 e2 d2 | e2 d2 c2 d4 c c |
c2 d2 e2 f4 d2 | e2 d2 c2 d4 ef | F3 G F2 F2 G2 A2 | c3 d c2 c2 A2 F2 |
G3 F G2 A2 F2 C2 | D3 E D2 D4 C2 | F3 G F2 F2 G2 A2 |
c3 d c2 c2 A2 F2 | G3 F G2 A2 F2 C2 | [D4B,4] [E2B2] [F4A,4] |]
Oh! blest be the days when the Green banner floated,
Sublime o'er the mountains of free Innisfail,
When her sons to her glory and freedom devoted,
Defied the invader to tread her soil.
When back o'er the main they chased the Dane,
And gave to religion and learning their spoil,
When valor and mind, together combin'd,
But wherefore lament o'er the glories departed?
Her star shall shine out with as vivid array,
For ne'er had she children more brave and true hearted
Than those she now sees on Saint Patrick's Day.
Her scepter, alas! passed away to the stranger,
And treason surrender'd what valor he held,
But true hearts remain'd amid darkness and danger,
Which, spite of her tyrants, would not be quell'd.
Oft, oft thro' the night flash'd gleams of light,
Which almost the darkness of bondage dispell'd;
But a star now is near, her heaven to cheer,
Not the the wild gleams which so fitfully darted,
but long to shine down with its hallowing ray,
Oh daughters as fair, and sons as true hearted
As Erin beholds on Saint Patrick's Day.
Oh! Blest be the hour when he girt her by cannon,
And hail'd as it rose by a nation's applause,
That flag waved aloft o'er the spire of Dungannon,
Asserting for Irishmen Irish Laws.
Once more shall it wave, o'er hearts as brave,
Despite of the dastards who mock at her cause
And like brothers agreed, whatever their creed,
Her children, inspired by those glories departed:
No longer in darkness desponding will stay,
But join in the cause like the brave and true hearted
Who rise for their rights on Saint Patrick's Day.
# Posted on March 17th 2008 by fidkid
Discussion: St. Patrick's Day as a ceili dance for 4 couples
# Posted on May 8th 2008 by C. Nicolas
http://www.thesession.org/discussions/display/17725
# Posted on May 9th 2008 by ceolachan