Key signature: Adorian
Submitted on October 22nd 2001 by Jeremy.
This tune has been added to 284 tunebooks.
Also known as Russell's, Slieve Russell.
Recordings of a tune by this name:
X: 1
T: Sliabh Russell
M: 6/8
L: 1/8
R: jig
K: Ador
|:eAA Bcd|eaf ged|edB cBA|BAG ABd|
eAA Bcd|eaf ged|edB cBA|1 BAG A3:|2 BAG ABd||
|:eaa efg|agf gfd|eaa efg|afd e3|
eaa efg|agf gfd|edB cBA|BAG ABd:|
There's a great set on the Otherworld album by Lunasa where this tune is played straight after The Roaring Barmaid (Butlers of Glen Avenue).
This jig has a great driving rhythm to it.
# Posted on October 22nd 2001 by Jeremy
I don't much like jigs (at least comparatively speaking), but I've loved this one since the first time I heard it. To my mind and ears, it's a quintessential piping jig...
zls
# Posted on November 1st 2001 by Zina Lee
Variation
Looking back at my old transcription of this tune, I heard Lunasa playing measure 4 of Part B as: |fed ~g3|. I'll have to dig out that cd again...perhaps I was listening to a variation by one of the lead players and not catching the main line....
# Posted on November 1st 2001 by Will CPT
Re: Variation
Actually, that's how I know it too, Will. Of course, Dirk, our piper, knows it staying on the E - luckily they work more or less together. We always forget that we play that measure differently and end up laughing at each other in the middle because we do it every time. What's funniest is when we decide to give and switch to the other's version -- at the same time! Heh.
zls
# Posted on November 1st 2001 by Zina Lee
This version is completely different from the one played by Danú in their recording "All Things Considered", which they said they learned from Robbie Hannon and Paddy Glackin.
# Posted on May 11th 2002 by Toni Ribas
It's fun to listen to the Molloy version of this (almost at slow air pace) followed by the Lunasa version, which is nealy "heavy metal" in comparison.
# Posted on June 1st 2005 by wormdiet