Key signature: Dmajor
Submitted on June 5th 2004 by Johannes J.
This tune has been added to 9 tunebooks.
Also known as Jimmy O' The Bu's Polka.
Recordings of a tune by this name:
X: 1
T: Jimmy O' The Bu's
M: 4/4
L: 1/8
R: barndance
K: Dmaj
|:A2 A2 A>F/ A/d>|c2 B2 B2 e>d/|c2 c2 c>A/ B>c/|d>c/ d>e/ f>e/d>B/|A2 A2
A>F/ A/d>|c2 B2 B2 e>d/|c2 c2 c>A/ B>c/|d2 f2 d2 B2:|
|:A2 f2 f>e/ d>c/|B2 g2 g3 f|e2 a2 ^g2 a2|b2 a2 ^g2 a2|A2 f2 f>e/ d>c/|B
2 g2 g3 b|a2 f2 g2 e2|d2 f2 d4:|
Mmmmm, a polka not a reel
This is actually a polka but you can only submit a 2/4 here so I chose the "reel" category as the timing is 4/4.
This is a well known Orcadian tune which I learned from Jennifer Wrigley at a workshop a few years ago.
# Posted on June 5th 2004 by Johannes J
I've changed it back to a polka.
# Posted on June 5th 2004 by Jeremy
Thanks, Jeremy. That looks much better. It's just that it was taught to us in 4/4 originally.
# Posted on June 5th 2004 by Johannes J
It sounds more like a sort of barndancey type thing to me.
# Posted on June 5th 2004 by Dow
It's not a polka, that's for sure. It looks as though it needs to be under 4/4 because of its structure, especially those hornpipey quarter note endings, and listen to that swing!
# Posted on June 5th 2004 by Dow
It does sound a bit "barn dancey", I agree. but it is called a polka , ie "Jimmy O' the Bu's Polka" so what do we do here?
# Posted on June 5th 2004 by Johannes J
You call it "Jimmy O'the Bu's Barndancey Polka!
# Posted on June 6th 2004 by bb
Oh God!
# Posted on June 6th 2004 by bb
Polka, Barndance or Schottishe
This is deffiniteley a Polka (without the dots) or it couod be a schottishe (with the dots). 2/4 is fine as is 4/4 depending on how you write the notes, however the way it is written here is wrong anyway. There are too many bar lines. The odd number bar lines are superfluous and hinder the flow and the phrasing of the tune. It needs to be played very steadily and if a polka certainly slower than you would expect the average Irish polka to be played.
Here are my two versions:-
X: 1
M: 4/4
L: 1/8
Q: 160
R: Schottishe (Hornpipe?)
A2 A2 A>F Ad | c2 c2 c>A B>c | d>c d>e f>e d>B | A2 A2 A>F Ad | c2 c2 c>A b>c | d2 f2 d2 B2 :||
A2 f2 f>e d>c | B2 g2 g3 f | e2 a2 ^g2 a2 | b2 a2 ^g2 a2 | A2 f2 f>e d>c | B2 g2 g3 b | a2 f2 g2 e2 | d2 f2 d4 :||
Will post the Polka later.
# Posted on June 8th 2004 by hetty
Missed out bars
sorry I've missed out the 2nd bar:-
c2 B2 B2 e>d | and the 6th bar in the 'A' music:-
c2 B2 B2 e>d |
typed in haste before going to work.
# Posted on June 8th 2004 by hetty
Hetty, I originally submitted this tune in 4/4 and there were only 8 bars. There isn't a facility here for 4/4 polkas, so Jeremy changed it. That's why there's extra bars because the timing had been changed to 2/4.
The actual music is correct as taught to me by an *Orcadian* fiddler but she did say that this polka can have slightly different settings even in Orkney from where it originates. I agree that it should(and does) get played more slowly than an Irish polka.
# Posted on June 8th 2004 by Johannes J
Polka, Barndance?
Pity the number of bars were changed because I feel there was no reason for doing so, musically. Herewith anyway my ABC for the Polka set in 2/4.
M: 2/4
L: 1/16
Q: 160
R: Polka
K: D
A2A2 AFAd | c2B2 B2ed | c2c2 cABc | dcde fedB |
A2A2 AFAd | c2B2 B2ed | c2c2 cABc | d2f2 d2B2 :||
A2f2 fedc | B2g2 g3f | e2a2 ^g2a2 | b2a2 ^g2a2 | A2f2 fedc | B2g2 g3b | a2f2 g2e2 | d2f2 d4 :||
John, I am glad to hear that yuo originally sent this as 8 bars, presumably for each musical phrase i.e 'A' music and 'B' music making 16 written bars but 32 played. I feel it should never have been chaned and anyway here are plenty of Polka's written in 4/4 timing, maybe not Irish but then, as you say, this isn't. Did you originally send it with dots as it is written here? It would be useful to know how much was changed by Jeremy.
I would like to add this to my repertoire and would certainly like some more tunes from the Orkneys. My dilemma is which form to use. Your advice would be welcome. Cheers.
# Posted on June 9th 2004 by hetty
NOT A POLKA - - -
When the dances came away from the tunes things just got all mixed up. As has been suggested previously, it is a schottische or barndance. It really would be nice to have this back the way it should be, 4/4, with that hornpipe skip, and placed under the proper heading, 'Barndance'. That category desperately needs more of the 'right stuff', to raise the percentage of actual "barndancy" tunes. There's nothing wrong with calling it a 'polka' if you need, but that doesn't make it so, and the tune is perfect for the sort of dancing it was intended for. If you take the B part alone, the steps would be, woman's step given, man's is opposite, both starting on outside feet:
|R-L-R-hop|L-R-L-hop|R-hop, L-hop|R-hip, L-hop|
Sometimes it takes the dance to make sense of the music and how it should be barred, whatever it has come to be called.
# Posted on July 24th 2004 by ceolachan
As far as I know, the word "polka" is part of the actual title "Jimmy O' the Bu's Polka" though it is very much more like a barndance.
I'll research this tune a little further, as it has caused a lot of controversy, with a view to possibly resubmitting same.
# Posted on July 24th 2004 by Johannes J
"POLKA"
"Polka" became a kind of catch all for describing any dance that had a hop or skip in the step, or 'hop123', as with hornpipe type dances, including barndances. Even steps fro mazurkas and Varsoviennes have been called 'polka steps' because of this hop,though in this case the count is either '12hop' or 'hop12'. So, there's really no surprise to find something in this genre referred to as a 'polka'. As the music and the dance are distanced from each other, things change, or an association sticks.
A version of this is taken as the "7-Step Polka" in the Shetlands... If Jeremy lets my put up the Ulster version of this I'll include a note with a transcription of the Shetland version, which is closer to the Ulster version. Except for holds, the basic dance was the same across the board, and was another one that got widespread, all hemispheres and a load of variations on a tune...
# Posted on July 25th 2004 by ceolachan
OOPS Again - - -
My brain is currently working on half a dozen barndances, and the misfiring is obviously hitting hard. The "7-Step" is another misplaced barndance on TheSession.Org site, not this one, not "Jimmy O' the Bu's Polka". I really quite like this 'barndance' and hope it finds its way over to that side to better the representations, and in its 4/4 form, at least the ABC. As I've been saying, nothing wrong with 'Polka' being part of the name, as it wasn't always specific to the tune form...
# Posted on July 25th 2004 by ceolachan
"Lucy Farr's Barndance"
This is on the site elswhere and is the Orkney version of the international tune and dance who's mention slipped in the last couple of comments previous, the "7-Step". There are other notes there concerning this item and Germans/Barndances in general...
# Posted on July 25th 2004 by ceolachan
Jimmy O' The Bu's Barnpolka
OK. I've bowed to the pressure and resubmitted this tune as a barndance and amended the ABC accordingly. It does have that swing feel, right enough.
Unfortunately, I don't know if the sheet music can be changed. See
http://www.thesession.org/discussions/display.php/4213
However, if not, it can be the alternative polka version.
# Posted on August 10th 2004 by Johannes J
"Jimmy O' The Bu's Polka" ~ ABC cleanup
Submitted on June 5th 2004 by Johannes J.
Assuming that the likes of - A/d> - is intended to be a skip, or - A<d ~ Johannes J's transcription:
X: 1
T: Jimmy O' The Bu's Polka
M: 4/4
L: 1/8
R: barndance / schottische / polka
K: Dmaj
|: A2 A2 A>FA<d | c2 B2 B2 e>d | c2 c2 c>AB>c | d>cd>e f>ed>B |
A2 A2 A>FA<d | c2 B2 B2 e>d |c2 c2 c>AB>c | d2 f2 d2 B2 :|
|: A2 f2 f>ed>c | B2 g2 g3 f | e2 a2 ^g2 a2 | b2 a2 ^g2 a2 |
A2 f2 f>ed>c | B2 g2 g3 b | a2 f2 g2 e2 | d2 f2 d4 :|
# Posted on October 8th 2008 by ceolachan
"Jimmy O' The Bu's Polka" ~ take 2
X: 2
T: Jimmy O' The Bu's Polka
M: 4/4
L: 1/8
R: barndance / schottische / polka
K: Dmaj
|: (3dcB |\
A2 A2 A>FA>d | c2 B2 B2 e>d | c2 c2 c>AB>c | d>cd>e f>e (3dcB |
A2 A2 A2 (3FAd | c2 B2 B2 e>d |c2 c2 c2 (3ABc | d2 f2 d2 :|
|: c>B |\
A2 f2 f>ed>c | B2 g2 g2 (3agf | e2 a2 ^g2 a2 | b>a^g>a f2 (3fed |
A2 f3 e d>c | B2 g2 g3 f | e2 a2 c2 a2 |[1 d2 f2 d2 :|[2 d2 A2 D2 |]
# Posted on October 8th 2008 by ceolachan