Key signature: Dmajor
Submitted on August 29th 2003 by dafydd.
This tune has been added to 56 tunebooks.
Also known as Battle Is O'er, The Battle Of The Somme March.
Recordings of a tune by this name:
X: 1
T: Battle Of The Somme, The
M: 9/8
L: 1/8
R: slip jig
K: Dmaj
A|:faf d3 dcd|edG B3A3|BGB A3f3|
faf e3A3|faf d3 dcd|edG B3A3|
BGB A3f3|1efe d3 d2A:|2efe d3d3||
|:dcd e3A3|efg faf d2d|fef g3A3|
faf e3 A3|faf d3 dcd|edG B3A3|
BGB A3f3|1efe d3 d3:|2efe d3d2A||
The Battle Of The Somme
A Scottish pipe lament from the first world war.Dave Swarbrick used to play it very slowly,but I have heard it played as a slip jig.
# Posted on March 1st 2003 by dafydd
Battle of the Somme
Wasn't this originally a march?
# Posted on April 30th 2004 by radriano
Battle of the Somme
Possibly my favourite Scottish set dance tune. I played this for a couple of Scottish dancers at a folk festival a long time ago. It was a dance for one man and one woman and was taken at a very steady, slightly slow pace. A 'lilt' I believe is the correct term.
# Posted on April 30th 2004 by hetty
Battle of the Somme
Yes, it's originally a Scottish bagpipe march in 9/8 time. Hence the feeling of a slip jig if it's played fast!
# Posted on May 2nd 2004 by MHCrawf
This was wriiten by Pipe Major Robert Meldrum as a lament for the Scottish dead at the Battle Of The Somme .
# Posted on March 1st 2003 by dafydd
The Battle of the Somme
Jocklet, one of my tunebooks and the sleave notes of Malinky's album inform us that it was written by William Laurie. It seems he was involved in the campaign and died of the wounds shortly after the tune became popular.
# Posted on May 3rd 2004 by slainte
Battle of the Somme
I note in Peter Loud's Collection of Fiddle Tunes he assignes the tune to Willie Laurie (and as a March)
# Posted on April 14th 2006 by ph
"The Battle of the Somme" ~ by Pipe Major William Laurie
"Composed shortly after the infamous battle by Pipe Major William Laurie of the 8th Battalion, Argyll & Sutherland Highlanders, The Battle Of The Somme was commonly regarded as the best composition of the First World War. Unfortunately Pipe Major Laurie died later that year of illness after being invalided home."
# Posted on June 30th 2006 by ceolachan
"The Battle of the Somme" - by Pipe Major William Laurie
K:D Major
|: A |
f<af d3 d2 c | e>dG B3 A2 d | B<GB A3 d2 A | f<af e3- e2 A |
faf d3 d>cd | e>dG B3 A2 A | B<GB A3 f2 A | e>fe d3- d2 :|
|: d |
d>cd e3 A2 e | e>fg f<af d3 | f>ef g3 A2 g | f<af e3- e3 |
f<af d3- dcd | e>dG B3 A2 B | B<GB A3 f3 | e>fe d3- d2 :|
# Posted on June 30th 2006 by ceolachan
"The Battle of the Somme" - by Pipe Major William Laurie, 1882 - 1916
|: f |
f>ef a3 f2 d | d>cB B3 A2 d | d>cd f3 A2 f | f<af e3- e2 f |
f>ef a3 f2 d | d>cB B3 A2 d | d>cd f3 A2 e | e<dc d3- d2 :|
|: A |
d>cd e2 A e2 c | efg f<af d2 A |d>cd e2 A e2 c | f<af e3- e2 f |
f>ef a3 f2 d | d>cB B3 A2 d | d>cd f3 A2 e | e<dc d3- d2 :|
A march, this second way is from rough notes and memory but differs from the previous which is closer to the piping traditions for this tune.... The 'formal' way of piping tends not to vary the tune from the written form, but both these versions given do vary from the usual piper's transcript for this tune, though the first one above deviates from the 'usual' in only a few small ways...
# Posted on June 30th 2006 by ceolachan
"The Battle of the Somme" - - - by Pipe Major William Laurie
"The Fiddler's Companion" ~ Andrew Kuntz
http://www.ibiblio.org/fiddlers/BARN_BB.htm
You'll find an ABC transcript by Nigel Gatherer on site there that is even more 'on point' with the usual piper's transcription. Here are important notes from the entry there for this tune:
"This pipe tune, a retreat from Army Manual (Book 2) and composed by William Laurie (1882-1916) commemorates one of the greatest and most terrible battles of World War I. Jack Campin communicates that Laurie "just lived to see it become an immediate success before dying of his wounds a few months later.” “The retreat march is not necessarily a march time tune which would be marched to,” explains Stuart Eydmann; rather, “as often as not it was played as part of the evening ritual in military camps as day duties gave way to night ones. It was not linked to the military manoeuvre of retreating in or from battle but was linked to the idea of refuge and safety in the camp.” Gatherer (Gatherer’s Musicial Museum), 1987..."
# Posted on June 30th 2006 by ceolachan
Somme/Dargai
A colleague plays this (as a lively dance rather than a lament) followed by the "Hills of Dargai"
http://www.thesession.org/tunes/display/9821
# Posted on August 17th 2009 by spindizzy