Details ABC Sheetmusic Comments

The Little Cascade

reel

Key signature: Edorian

Submitted on January 23rd 2003 by Robinson.

This tune has been added to 76 tunebooks.

Also known as Little Cascade.

Recordings of a tune by this name:

Details ABC Sheetmusic Comments

X: 1
T: Little Cascade, The
M: 4/4
L: 1/8
R: reel
K: Edor
|Beeg geBg|geeB gBeg|Beeg geBg|fdAe fagf|
!Beeg geBg|geeB gBeg|Beeg geBg|fagf fe eg|
!|:fBgf egbg|fBag gffg|fBgf egBg|fagf fe eg:|
!|G2 Be Bege| g2 fg egBe | G2 ce cege | fdAd fagf |
!|G2 Be Bege| g2 fg egBe | G2 Be geBg | fagf fe ef|
!|:gefg efge | fdef defd | gefg efge | fage fe ef:|
!|:Begf e2 fd | Bedf edBA | Begf e2 fd | Bedf fe eg :|
!|GdBe df e2 | gfge Bega | GdBe df e2 | Bedf feeg |
!|GdBe df e2 | gfge Bega | gfge eded | Bedf feeg ||

Details ABC Sheetmusic Comments
The Little Cascade sheetmusic
Details ABC Sheetmusic Comments

Little Cascade

A long but really nice tune. Originally scottish I guess.
Third part is really nice when this low G is stressed.
Ronan le Bars (Breton piper) plays it at the uillean pipe in Dan Ar Braz's "Keltic Heritage" .

# Posted on January 23rd 2003 by Robinson

Little cascade

Quite right, Robinson. It was composed by George "G.S." McLennan, a piper from Aberdeen, whose "greatest hit" was the much-maligned " Jig Of Slurs". You would think that the title refers to a small waterfall, and in fact I have on video ex-Battlefield Band member Iain McDonald playing in such a setting for a TV programme on piping from a few years back. Unfortunately, the story goes that "G.S." composed it in a German prisoner of war camp in the first world war when he couldn't get to sleep because of a dripping tap ! True. Seems nobody told the programme's producer.
This tune has been recorded many times , and seems to also go well on the harp/clarsach, judging by the number of times it apears on Scottish clarsach recordings.( Billy Jackson, "Sileas", and Wendy Stewart, to name but 3).
A great tune, and doesn't it go well on the uillean pipes too.

# Posted on January 23rd 2003 by Kenny

It's funny how the most annoying things can inspire the most beautiful tunes. I was listening to Aly Bain and Phil Cunningham yesterday on BBC Radio 2, live form the celtic connections festival. They played a slow air, written by Phil Cunningham, called 'The Gentle Light that Wakes Me'. The inspiration behind it was a hotel in St. Sebastian(?) where he had trouble closing the curtains. Every morning at sunrise he would be rudely awakened by a shaft of sunlight coming through the gap in the curtains.

# Posted on January 23rd 2003 by granama

I love this tune.The c sharp in bar 3 line 4 sounds a litte strange (though nice?), is it meant to be a c natural?

# Posted on January 24th 2003 by Christopher Reynolds

I agree with you Chris... actually I would play a B

# Posted on January 24th 2003 by Robinson

In the version I have (Ceol na Fidhle - Highland Tunes for the Fiddle, vol. 4) both those C#s are in fact B.... although a C-nat could sound nice there. But it's a bagpipe tune - and a good one.

# Posted on January 24th 2003 by granama

There are a few small "mistakes" in this version. I have the original as written by the great man and I'll try and post it soon.
JC's has the tune but not in an un-graced form.
PP

# Posted on January 27th 2003 by Pied Piper

Little Cascade

This wonderful little tune is not in the dorian mode. If you adjust the key signature to G Major, then it is in the aeolian. Probably most aolian mode tunes are in the key of D Major, so if you were to transpose The Little Cascade to D you would see quite clearly how it relates with other aolian mode tunes, The Musical Priest and God Rest Ye Merry Gentlemen being the most obvious examples.

# Posted on February 28th 2005 by Gords

Tune story

I hadn't heard the version of the story that Kenny tells before. I don't believe G.S. was ever a POW.

The most common version is that told by G.S. half-brother, D.R., which says that their father pointed out the sound of the dripping tap during a lesson and it later inspired the tune.

Another version told by a fellow officer from the Gordon Highlanders, G.S.' regiment, is that it was the dripping tap in their barracks that inspired the tune after returning from a night on the town.

# Posted on December 24th 2007 by malcombpiper

A bit of snap

Here's the tune with the dots and cuts as would have originally been played. It really brings out the dripping effect. I have set line 4 in a counter rhythmic style that is popular to play. It can also played in keeping with the rest of the tune. Harpers like to throw arpeggios into that part.

X:1
T:The Little Cascade
R:Reel
M:C|
L: 1/8
C:G.S. McLennan
K: Amix
[|e|B>ee>g g>eB>g|g>fe>B g>Be<g|B>ee>g g>eB>g|f>dA>d f<ag<f|
B>ee>g g>eB>g|g>fe>B g>Be<g|B>ee>g g>eB>g|f<ag>f f>ee3/2|]
|:g/|f>Bg>f e<gB>g|f>Ba>g g>ff>g|f>Bg>f e<gB>g|f<ag>f f>ee3/2:|
[|g/|G2B<e B<eg>e|g2f<g e>gB<e|G2B<e B<eg>e|f>dA>d f<ag<f|
G2B<e B<eg>e|g2f<g e>gB<e|G2B<e g>eB>g|f<ag>f f>ee3/2|]
|:f/|g2(3efg e>fg>e|f2(3def d>ef>d|g2(3efg e>fg>e|f<ag>f f>ee3/2:|
|:g/|B<eg>f e2f>d|B<ed<f e>dB<A|B<eg>f e2f>d|B<ed<f f>ee3/2:|
[|g/|G>dB<e d<fe2|g>fg>e B>eg<a|G>dB<e d<fe2|B<ed<f f>ee>g|
G>dB<e d<fe2|g>fg>e B>eg<a|g>fg>e f>de>d|B<ed<f f>ee2|]

# Posted on December 24th 2007 by malcombpiper

Key

make that E Dorian instead of A Mixolydian.

# Posted on December 28th 2007 by malcombpiper

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