Key signature: Amajor
Submitted on June 10th 2011 by gilles.tabary.
This tune has been added to 6 tunebooks.
Recordings of a tune by this name:
X: 1
T: Tim Sullivan's
M: 4/4
L: 1/8
R: barndance
K: Amaj
|: .e2A2 ~c2A2 | cecA cecA | ~B2ce ~f2fe | ~B2ce ~f2af |
.e2A2 ~c2A2 | cecA cecA | ~B2ce efec |1 ~B2A2 A3f :|2 ~B2A2 A3e ||
|: .e2a2 g2f2 | efec B2BA | ~B2ce ~f2fe | ~B2ce ~f2af |
.e2a2 g2f2 | efec B2BA | ~B2ce efec |1 ~B2A2 A3e :|2 ~B2A2 A3f ||
Tim Sullivan's (Barndance)
Got this lovely barndance at Neuchatel session (Ch). I think it was learned off album "Rossinver Braes" by Ben Lennon & Tony O'connell. Simple, nice. Love it.
# Posted on June 10th 2011 by gilles.tabary
Suggestion by ceolachan
K: Amaj
|: f | .e2 A2 ~c2 A2 | cecA cecA | ~B2 ce ~f2 fe | ~B2 ce ~f2 af |
.e2 A2 ~c2 A2 | cecA cecA | ~B2 ce efec | ~B2 A2 A3 :|
|: e | .e2 a2 g2 f2 | efec B2 BA | ~B2 ce ~f2 fe | ~B2 ce ~f2 af |
.e2 a2 g2 f2 | efec B2 BA | ~B2 ce efec | ~B2 A2 A3 :|
# Posted on June 14th 2011 by gilles.tabary
Suggestiong by ceolachan ~
~ other possibilities
gilles - that's just your transcriptions with some traditional notation conventions made, the lead-ins, moving your final f & e to the front, allowing the melody to resolve on the tonic, and adding some rhythmic defining spacing, which generally makes ABC notation an easier and quicker read... On the other hand -
X: 2
T: Tim Sullivan's
M: 4/4
L: 1/8
R: barndance
K: Amaj
|: (3agf |\
e2 A2 c2 A2 | c>ec>A c>e (3cBA | B2 c>e (3fgf f>e | B2 c>e f2 a>f |
e2 A2 c2- c>A | c>ec>A (3cde c2 | B2 c>d e>f (3edc | (3BcB A2 A2 :|
|: (3Bcd |\
e2 a2 g2- g>f | e>fe>c B2 (3cBA | (3BcB c>e f2 (3fec | (3BcB c>e f2- f>c |
e2 a2 g2 f2 | e>fe>c B2- B>A | B2 c>d e2- e>c | B2 A>G A2 :|
It also goes well in G...
# Posted on June 15th 2011 by ceolachan
I knew it wouldn't have been you. Lots of rolls, no triplets, no swing signs, the anacrusis in a sensible place - no way was it ever a 'c' transcription, lol!
# Posted on June 15th 2011 by Dr. Dow
3 at last, 3 at last ~
# Posted on June 15th 2011 by ceolachan
"- the anacrusis in a sensible place - "
# Posted on June 15th 2011 by ceolachan
K: Amaj
|: f/ | - - - - A2- A3/ :|
|: e/ | - - - - A2- A3/ :|
X: 3
T: Tim Sullivan's
M: 4/4
L: 1/8
R: barndance
K: Gmaj
|: e/ |\
d2 G2 B2- B>G | (3Bcd B>G B>d (3BAG | A>DB>d e>Ge>d | A>D (3Bcd e2 (3gfe |
d2 G2 B2 D2 | B>d (3BAG (3Bcd B>D | A2 (3ABc d>e (3dcB | A2 G2 G2- G3/ :|
|: B/ |\
d2 g2 f2- f>e | d>e (3dcB A2 (3BAG | (3ABA B>d e2 (3edB | (3ABA B>d e2- e>B |
d2 g2 f2 e2 | d>ed>B A2- A>G | A2 B>c d>Gd>B | A>D (3FGA G2- G3/ :|
# Posted on June 15th 2011 by ceolachan