Key signature: Dmajor
Submitted on August 11th 2009 by cesarpim.
This tune has been added to 25 tunebooks.
Also known as Chuck Norris, The Chuck Norris , Chuck Norris'.
X: 1
T: Chuck Norris', The
M: 4/4
L: 1/8
R: reel
K: Dmaj
|:dB | AF~F2 AFEF | D2FD ADBD | ed~d2 edBA | BAFA BAFA |
DF~F2 AFEF | DF~F2 ADBD | ed~d2 edBA | FAfe d2 :|
|:ef | ~g3e ~f3e | dBAB dBAB | gz2e-f3e | dBAB eBfB |
~g3e ~f3e | dBAB dBAB | gz2e-f3e | dBfe d2 :|
About this reel
This is my first composition.
At the session I attend to, here in Lisbon, we finish around 2 am and then I usually start quoting Chuck Norris jokes (i.e. facts). At first it was very strange but with time everybody got fond of it, and it kind of became our session habit
After the silence pauses in part B, the passing from e to f# is meant to be with a slide. But you can, of course, do it however you want.
When composing this reel, I had in mind the following associations, in the context of a fight between Chuck Norris and several (helpless) enemies:
*** PART A:
- The ornamented F#'s represent sequences of fast low punches performed by Chuck Norris;
- Each sequence of jumps from D to F, A, B, and e represents kicks with increasing altitude, performed by Chuck Norris;
- The ornamented d's represent sequences of fast high punches performed by Chuck Norris;
- The sequence of 3 ending notes f#, e, and d represents an enemy of Chuch Norris falling on the floor in a KO state.
*** PART B:
- The ornamented g's and f#'s represent sequences of fast kicks performed by Chuck Norris (g kicks being high and f# kicks being medium high);
- The sequence of jumps from B to e, f#, and g represents kicks with increasing altitude, performed by Chuck Norris;
- Each g followed by a silence and a slide from e to f# represents an uppercut performed by Chuck Norris (the g note), followed a consequent projection of his enemy into a very high altitude flight (the silence and the slide);
- The sequence of 3 ending notes f#, e, and d represents Chuch Norris' enemy falling on the floor in a KO state.
These associations are obviously just for fun. But I like when there is an association between the tune name and its music :P
Hope you enjoy it!
Cesar Pimentel
# Posted on August 11th 2009 by cesarpim
By the way. The slides in part B can also be interpreted as roundhouse kicks performed by Chuck Norris.
# Posted on August 11th 2009 by cesarpim
The correct associations between the music and the fight
CORRECTION OF THE ASSOCIATIONS:
When composing this reel, I had in mind the following associations, in the context of a fight between Chuck Norris and several (helpless) enemies:
*** PART A:
- The ornamented F#'s represent sequences of fast low punches performed by Chuck Norris;
- Each sequence of jumps from D to F, A, B, and e represents kicks with increasing altitude, performed by Chuck Norris;
- The ornamented d's represent sequences of fast high punches performed by Chuck Norris;
- The sequence of 3 ending notes f#, e, and d represents an enemy of Chuch Norris falling on the floor in a KO state.
*** PART B:
- The ornamented g's and f#'s represent sequences of fast kicks performed by Chuck Norris (g kicks being high and f# kicks being medium high);
- The sequence of jumps from B to e, f#, and g represents kicks with increasing altitude, performed by Chuck Norris;
- Each g followed by a silence and a slide from e to f# represents an uppercut performed by Chuck Norris (the g note), followed a consequent projection of his enemy into a high altitude flight (the silence) and a subsequent roundhouse kick performed by Chuck Norris (the slide from e to f#);
- The sequence of 3 ending notes f#, e, and d represents an enemy of Chuch Norris falling on the floor in a KO state.
# Posted on August 11th 2009 by cesarpim
haha, that is funny. My brothers and I also quote those Chuck Norris jokes. I am going to have to learn this.
# Posted on August 11th 2009 by pipersgrip