Key signature: Adorian
Submitted on November 5th 2003 by Peter Piper.
This tune has been added to 82 tunebooks.
Also known as Humours Of Ballyheigue, Johnny Doherty’s, Petticoat Loop, Turu.
Recordings of a tune by this name:
X: 1
T: John Doherty's
M: 4/4
L: 1/8
R: reel
K: Ador
EAAB cABd|cABA G2GF|GABG EAAB|cABd cABG|
EAAG EAAB|cABd cABA|G2GF GABG|EAAB cABd|cABG EAA^c|
|eee^c d2cd|efe^c d2cd|eee^c dfed|^cABG A2cd|
eee^c d2cd|efe^c d2cd|eage d=fed|cABd cABG||
John Doherty's
This tune is unique!! It is the only reel I know with nine bars in the first part.
# Posted on November 5th 2003 by Peter Piper
Unique, eh? It won't be for much longer if Mark gets his head round the problem!
Trevor
# Posted on November 5th 2003 by lazyhound
This is a great favourite of bb's. I think rather than transcribing it all in 4/4, the 2nd bar needs to be in 3/2 for the structure of the tune to make sense, otherwise the phrases start halfway through the bar. Do a search at JC's tune index to find a transcription like this.
# Posted on November 5th 2003 by Dow
Thank you, thank you!! Only 10,432 and a half more tunes to learn.... Now, has anyone transcribed a reel played by Joe McKenna that he calls "Rowsome's" and puts before Ballintore Fancy?
# Posted on November 6th 2003 by maderinerue
A slightly different setting:
M:4/4
K:Ador
EAAB cABd| M:3/2 cAGA G3F GAGD| M:4/4 EAAB cABd|1 cABG A3G:|2 cABG A2||
^cd|efe^c d2cd|efe^c d2cd|efe^c BdcB|^cABG A2^cd|
efe^c d2cd|efe^c d2cd|eage dfed|cABG A3G||
I can't guarantee its authenticity, but it is as I have remembered it from a Lunasa recording (which I don't own) and a guitarist from Dublin (who probably learnt it from the said Lunasa recording).
# Posted on November 6th 2003 by granama
Peter, where did you get your version from? Is it as John Doherty played it?
Re above abc: ABC2WIN has trouble handling time signature changes mid-tune. It may be necessary to add in L:1/8 after each time change to get it to display the right note values.
# Posted on November 6th 2003 by granama
Apparently this tune can be found as No. 295 on O'Neill's "Waifs and Strays". Don't know if it has that extra half-bar or how it's notated if so.
# Posted on February 24th 2005 by patrick cavanagh
i leave out the 9th bar in the 1st part if you don't it feels like one too many (to my ears)
# Posted on January 21st 2006 by flamin fiddler
John Doherty's a la Paddy Glackin
I'm not sure what versions people are familiar with, but the one played by Paddy Glackin on 'In Full Spate' certainly doesn't require a change of time signature or the dropping of any bars (see below). I think people may have been misled by the off-beat motif in the first part (which is, after all, the main attraction of this tune). Note 2nd part is in Amix.
K: ADor
EAAB cABd|cABA (3GGG GF|GAGD EAAB|cABd cABG|
ABAG EAAB|cABd cABA|(3GGG GF GAGD|EAAB cABd|cABG A2^cd|
K: AMix
efec (3ddd cd|efec ~d2cd|efec daed|cABG (3ABA cd|
efec (3ddd cd|efec ~d2cd|eage dged|=cAdB =cAAG||
# Posted on September 12th 2006 by Ger the Rigger
ps: I reckon whoever wrote this tune (and it may or may not have been John Doherty) threw in those magical four extra notes after the first two bars with the express intention of causing a bit of havoc on the dance floor. When folded in to a set this tune would leave the best dancers quite literally reelin!
# Posted on September 12th 2006 by Ger the Rigger
Don't think so. What would be the point in that?
# Posted on December 21st 2006 by Dow
This is the tune you play when some dancer keeps calling out "can't you guys play any faster?" Try it some day and you'll see what happens. It's also good for discouraging unwanted bodhran players.
# Posted on December 28th 2006 by Ger the Rigger
Anybody know..
who wrote this tune?
# Posted on July 20th 2007 by Decca