A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction... Over hill, over dale
A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing... Ill met by moonlight
A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way
A Midsummer Night's Dream, opera, Op. 64: Act 1. How now, my love? Why is your cheek so pale?... I swear to thee, by Cupid's stronges
A Midsummer Night's Dream, opera, Op. 64: Act 1. (Be it Lion, Bear or Wolf...) ...I love thee not
A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome, wanderer!... I know a bank
A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here?
A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood
A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone
A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, tho' thou kill me, sweet Demetrius... Lysander, if you live, good sire, awake
A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel, and a fairy song
A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes
A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake
A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction
A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met?... What hempen homespuns have we swaggering here
A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery... What angel wakes me
A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman
A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail!
A Midsummer Night's Dream, opera, Op. 64: Act 2. I have a reas'nable good ear in music
A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit... O why rebuke you him that loves you so?...What hast thou done
A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye... Why should you think that I should woo in scorn?... O H
A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? why so?
A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence... Thou see'st these lovers seek a place to fight
A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down... Where art thou, proud Demetrius?
A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 1. Introduction... My gentle Robin, see'st thou this sweet sight?... My Oberon
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 1. Helena! - Hermia! - Demetrius! - Lysander!
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 1. When my cue comes, call me
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 1. Have you sent to Bottom's house?
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. Orchestral march... Now, fair Hippolyta, our nuptial hour
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. If we offend, it is with our good will
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. Gentle, perchance you wonder at this show
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. In this same Interlude, it doth befall
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. O grim-lock'd night
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. O Wall, full often hast thou heard my moans
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. You Ladies, you (whose gentle hearts do fear...)
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. This lanthorn doth the hornè Moon present... This is old Ninny's tomb
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. Sweet Moon, I thank thee for thy sunny beams
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. Come, your Bergomask
A Midsummer Night's Dream, opera, Op. 64: Act 3. Scene 2. Now the hungry lion roars... Through the house give glimmering light... Now
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: Oh Gods of wrath
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short; your highness
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart: Tarquinius Superbus
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axion among kings, to use a foreign threat to hide a local evil
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening has drunk the wine of light
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Who reaches heaven first is the best philosopher
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Maria was unmasked at a masked ball
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Collatinus is politically astute to choose a virtuous wife
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. There goes a happy man!
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Tarquinius does not dare, when Tarquinius does not desire
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. My horse! My horse!
Interlude. Tarquinius does not wait for his servan
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning-wheel unwinds dreams which desire has spun!
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Listen! I heard a knock... How cruel men are to teach us love!
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Time treads upon the hands of women
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep creep through the city... Open, in the nam
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. The prosperity of the Etruscans was due to the richness of their native
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose upon the night
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Within this frail crucible of light
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia! - What do you want? - You!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Interlude. Here in this scene you see virtue assailed by sin
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. We'll leave the orchids for Lucretia to arrange... Lucia, go send a mess
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year the same perfection
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. You were right. Tarquinius took one of the horses... Where is Lucretia?
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Lucretia! Lucretia!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Las night Tarquinius ravished me
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall all that my heart held when full
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Epilogue. Is it all?
Turn of the Screw, chamber opera, Op. 54: Act 1. Prologue
Turn of the Screw, chamber opera, Op. 54: Act 1. Theme. Scene 1. The Journey
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
Scene 2. The Welcome
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
Scene 3. The Letter
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
Scene 4. The Tower
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
Scene 5. The Window
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
Scene 6. The Lesson
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
Scene 7. The Lake
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
Scene 8. At Night
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
Scene 1. Colloquy and Soliloquy
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
Scene 2. The Bells
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
Scene 3. Miss Jesse!
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
Scene 4. The Bedroom
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
Scene 5. Quint
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
Scene 6. The Piano
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
Scene 7. Flora
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
Scene 8. Miles
Death in Venice, opera, Op. 88: Act 1. Scene 6. Naturally, Signore, I understand
Death in Venice, opera, Op. 88: Act 1. Scene 6. Here I will stay, here dedicate my days to the sun
Scene 7. Beneath a dazzling sk
Death in Venice, opera, Op. 88: Act 1. Scene 1. My mind beats on and no words come
Death in Venice, opera, Op. 88: Act 1. Scene 1. Who's that? A foreigner, a traveller no doubt... Marvels unfold!
Death in Venice, opera, Op. 88: Act 1. Scene 2. Hey there, hey there, you!... Ho! Here comes young Casanova... Greetings, Conte!
Death in Venice, opera, Op. 88: Act 1. Scene 2. Serenissima, Serenissima - Low-lying clouds
Death in Venice, opera, Op. 88: Act 1. Scene 2. Overture: Venice
Death in Venice, opera, Op. 88: Act 1. Scene 3. Ah Serenissima!
Death in Venice, opera, Op. 88: Act 1. Scene 3. Mysterious gondola
Death in Venice, opera, Op. 88: Act 1. Scene 4. We are delighted to greet the Signore to our excellent hotel
Death in Venice, opera, Op. 88: Act 1. Scene 4. Was I wrong to come
Death in Venice, opera, Op. 88: Act 1. Scene 4. There is indeed in every artist's nature
Scene 5. The wind is from the West... Ah
Death in Venice, opera, Op. 88: Act 1. Scene 5. (Children's games)... Adziù! Adziù!
Death in Venice, opera, Op. 88: Act 1. Scene 6. Aou'! Stagando, aou!
Death in Venice, opera, Op. 88: Act 1. Scene 7. First the race!
Death in Venice, opera, Op. 88: Act 1. Scene 7. The boy, Tadzio, shall inspire me
Death in Venice, opera, Op. 88: Act 2. Scene 7. So, it has come to this
Death in Venice, opera, Op. 88: Act 2. Scene 8. Guardate, Signore!
Death in Venice, opera, Op. 88: Act 2. Scene 9. Do I detect a scent? A sweetish medicinal cleanliness
Death in Venice, opera, Op. 88: Act 2. Scene 9. Careful search now leads me to them... Ah, Tadzio, Eros, Ganymede... Gustav von Asc
Death in Venice, opera, Op. 88: Act 2. Scene 10. This way for the players, Signori! Why are they disinfecting Venice?
Death in Venice, opera, Op. 88: Act 2. Scene 10. Fiorir rose in mezzo al giasso... Ah, little Tadziù, we do not laugh like the othe
Death in Venice, opera, Op. 88: Act 2. Scene 11. One moment, if you please... Young man, why do all these people hurry to leave?
Death in Venice, opera, Op. 88: Act 2. Scene 11. In these last years, Asiatic cholerea has spread
Death in Venice, opera, Op. 88: Act 2. Scene 12. So it is true, true, more fearful than I thought
Death in Venice, opera, Op. 88: Act 2. Scene 13. Receive the stranger god - No! Reject the abyss
Death in Venice, opera, Op. 88: Act 2. Scene 14. (The empty beach) ...Do what you will with me!
Death in Venice, opera, Op. 88: Act 2. Scene 15. Yes, a very wise decision
Death in Venice, opera, Op. 88: Act 2. Scene 16. Hurrah for the Piazza
Death in Venice, opera, Op. 88: Act 2. Scene 16. Chaos, chaos and sickness
Death in Venice, opera, Op. 88: Act 2. Scene 17. The wind still blows from the land
Death in Venice, opera, Op. 88: Act 2. Scene 17. (On the beach) ...Ah, no!
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 1. Prelude
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 2. The tournament
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 3. Recitative and fight
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 4. Entrance of the Queen
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 5. Recitative
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 6. The two lords' explanation
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 7. Raleigh's song
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 8. Ensemble of reconciliation
Gloriana, opera, Op. 53: Act 1. Scene 1. No. 9. Recitative and final march
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 1. Prelude and dialogue
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 2. The Queen's song
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 3. Cecil's song of government
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 4. Recitative and Essex's entry
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 5. First lute song
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 6. Second lute song
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 7. The first duet for the Queen and Essex
Gloriana, opera, Op. 53: Act 1. Scene 2. No. 8. Soliloquy and prayer
Gloriana, opera, Op. 53: Act 2. Scene 1. No. 1. Prelude and welcome
Gloriana, opera, Op. 53: Act 2. Scene 1. No. 2. The Masque
Gloriana, opera, Op. 53: Act 2. Scene 1. No. 3. Finale
Gloriana, opera, Op. 53: Act 2. Scene 2. No. 1. Prelude and song
Gloriana, opera, Op. 53: Act 2. Scene 2. No. 2. Duet
Gloriana, opera, Op. 53: Act 2. Scene 2. No. 3. Double duet
Gloriana, opera, Op. 53: Act 2. Scene 2. No. 4. Quartet
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 1. Pavane
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 2. Conversation
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 3. Galliard
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 4. Conversation and the Queen's entrance
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 5. Lavolta
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 6. Conversation
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 7. Morris dance
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 8. Recitative
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 9. The Queen's burlesque
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 10. Quartet
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 11. March
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 12. The Queen's announcement
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 13. Ensemble
Gloriana, opera, Op. 53: Act 2. Scene 3. No. 14. Coranto
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 1. Prelude and chatter
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 2. Essex's intrusion
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 3. The second duet of the Queen and Essex
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 4. The dressing-table song
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 5. The entrance of Cecil
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 6. Cecil's report
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 7. Discussion
Gloriana, opera, Op. 53: Act 3. Scene 1. No. 8. The Queen's decision
Gloriana, opera, Op. 53: Act 3. Scene 2. Ballad - rondo
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 1. Prelude and verdict
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 2. Cecil's warning
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 3. The Queen's dilemma
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 4. Trio
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 5. Lady Essex's pleading
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 6. Penelope Rich's pleading
Gloriana, opera, Op. 53: Act 3. Scene 3. No. 7. EpilogueAverage customer rating:
Lesser, indeed!How someone can refer to Rape of Lucretia and Turn of the Screw (or Midsummer Night's Dream, for that matter, my personal favorite among his many operas) as lesser works of Britten's is beyond me. I guess it is just a matter of taste, but especially in these performances, those who truly love Britten could hardly do wrong. Libretti lacking, but don't let that stop you. You never know when these will go out of print again!
Britten's lesser operas?Of course it's all a matter of taste. I find most of Britten's operas first class with no exception. 'Gloriana' is an under-recorded jewel, full of melody and emotion. 'Turn of the Screw' a masterpiece of claustrophobic sense. 'Rape of Lucretia' full of chamber sensibility. And the performances cannot be bettered.
Need I say more? DECCA is paying an enormous service to collectors with these releases, especially those who have a real concern with storage space. They deserve 10 stars, if available.
Britten's lesser operasI loved Britten's Operas 1. So I snatched this item up right away. It's o.k. but not as good as the first collection. Death in Venice and the Turn of the Screw were the only operas on these discs that I really cared for. Bedford's version of Death in Venice is every bit as good as the Hickox version so if you already have one there's really no need to get the other. As for the other operas they're nowhere near as good as Billy Budd, Peter Grimes, or Albert Herring. For those just discovering Britten's operas start out with the first boxed set.