Maire my girl
Like Stars Above
Take, O Take Those Lips Away
A Masque: A Child's Song
Asthore
A Farewell
My Commander as Envoy Bids Me Come, song (from 'Natoma')
I Know of Two Bright Eyes
Eileen Aroon (Eibhlin a Ruin)
The Wearing of the Green
The Rosary, for voice & piano
The Harp That Once through Tara's Halls
Silver Threads Among the Gold, song for voice & piano
I gioielli della Madonna, opera: T'eri in giorno ammalato
At Dawning for voice & piano (or orchestra), Op. 29
Mefistofele, opera in prologue, 4 acts & epilogue: Dai campi, dai prati
Mefistofele, opera in prologue, 4 acts & epilogue: Giunto sul passo
Les Pêcheurs de perles, opera in 3 acts: Mi par d'udir ancora
Nirvana, ballad for voice & piano
Maritana, opera: There is a Flower that Bloometh
My Dreams, for voice & piano or orchestra, C.S. 143
Sweet Genevieve
I'll sing thee songs of Araby
Where the river Shannon flows
Silver Threads Among the Gold, song for voice & piano
Within the Garden of My Heart
Dear Love, Remember Me
Manon, opera in 5 acts: Chiudo gli occhi 'Il Sogno'
Molly Brannigan
A Foggy Dew
The Low Back'd Car
Sospiri Miei for voice & piano
Say 'Au Revoir', but not 'Goodbye'
Mother O' Mine for voice & piano (or orchestra)
Down In The Forest
Carmen, opera: Votre mère avec moi sortait de la chapelle
I Hear a Thrush at Eventide, song ('Serenade')
Goodbye (Addio), for voice & piano or orchestra, C.S. 68
A Little Love, A Little Kiss
Rigoletto, opera: Questa o quella
Nearer My God to Thee, for voice & piano (or orchestra)
Eileen Alannah
Goodbye, sweetheart, goodbye
Le Portrait for voice & piano
The Angel's Serenade
Le Nil
Jocelyn, opera: Beneath the Quivering Leaves
Ellens Gesang III ('Ave Maria'), song for voice & piano, D. 839 (Op. 52
6)
Meditation on Prelude No. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement)Average customer rating:
When looking for "the most"A local New York professional opera enthusiast has concluded that Corelli is the most popular operatic tenor, followed by Jussi Bjoerling. But if the question is, who had the most beautiful tenor voice ever impressed upon wax, we must lift up John McCormack. Here is true bel canto which no one else has ever equalled. These two CD's contain some of the most exquisite sounds ever issued by a human throat. Let the galleries declare their enthusiasm for stentorian high C's, the real lover of great singing will find much more to their like her than in all the verisssimo arias. Listen to the two "Mefistofele" Arias (Boito) and ask yourself if they have ever since been so beautifully sung. This recording belongs in the collection of every aspiring tenor, just to remind what can be accomplished by art and perfect singing.
A superb McCormack collectionIf you remember hearing transfers of acoustic recordings to LP, you remember how hard it was to really connect with the music and performer through all the rumble, noise and resonance. This audio restoration is the most astonishing technical feat I have ever heard. The noise is now only a gentle background presence, not the roar of yesteryear. And even more important, it is constant in volume- in other words not a distraction. The fidelity really lets us hear what the early recording engineers really achieved. That said, what this brings to us are the performances of one of the world's greatest singers in richly emotional popular songs (and a few opera arias). There are so many of those old sentimental pieces no one could get away with recording anymore, but hold such a splendid reward for those of us who love them. John McCormack's recordings receive with this reissue the wonderful presentation they so richly deserve. Many many thanks to the label and Mr. Marston who made it possible.
Simply the BestThis along with Vol. 1 is simply the best McCormack transfers available from this period. The master of the trade, Ward Marston has outdone himself this time. Waiting for Vols. 3,4,5!