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The Diamond Age: Or, a Young Lady's Illustrated Primer (Bantam Spectra Book)

Spectra

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Average customer rating: 4 stars

Brilliant

Absolutely one of the best science fiction novels I have ever read. Mind blowing in its scope and vision. It's images and idea will stay with you long after you read the last page.

I only wish Neal Stephenson would continue to explore the world created in The Diamond Age.

Total crap

Snow Crash was brilliant, this story was pathetic and poorly put together. There is no point to the majority of what happens in this novel and the ramblings of the author could have easily been cut in half. Worse still, all the possibly interesting contents -- Hackworth's story, Dr. X, CryptNet -- weren't flushed out and instead ignored in this tale about nothing. A war happens at the end, unexplored and for no purpose to the plot. Read a different novel, as this one isn't worth your time. I want the time I spent on it back.

Would get 4 stars if the ending wasn't such a wreck

I'd read Snow Crash about a year ago, and despite some problems with pacing and blatant Deux Ex Machina, I liked it enough to give Stephenson another go.

I gather Diamond Age is his second novel, and he certainly has improved in style over his original offering (Snow Crash.) This book consciously imitates Victorian (late 18th-century English) prose and dialogue, which can be awkward to the unsuspecting but is very much justified by the narrative framework.

The setting was intriguing, and quite-likely cutting-edge for when it was written. Nanotechnology plays a major role, and Stephenson does a good job of running with it to show the logical conclusions: a superficial utopia that is quite dark once one delves beneath the surface. To his credit, the technology isn't heavy-handed in this, and anyone with even the most basic scientific knowledge can follow (and appreciate) what's going on. I also have a soft-spot for Chinese history and culture, so he gets a few bonus points for including it as a setting subplot. Speaking of subplots, Diamond Age includes one that at first struck me as suspiciously similar to one of the subplots of Mona Lisa Overdrive (ie: an interactive book that helps a young girl cope with her surroundings) but I quickly found the similarities were superficial and Stephenson does go into new territory with his handling of it.

That said...

The last 75 pages of this book were a jumbled mess, with key plot points being introduced way too late, others (from earlier) completely forgotten, and overall left me with a feeling of "where the heck did THAT come from?!?" It honestly struck me as if 400 pages into it, he got tired of writing it and just wound things down as quickly as he could. Ironically, there's a fair amount of padding in that last section (notably a too-long sequence of a character at an interactive theatre.) Most of my complaints about the book come from the last 75 pages, but alas, I can't give specifics without breaking my personal reviewing oath of not divulging spoilers. Suffice to say that he again resorts to intervention from the Gods of Plot Convenience **a couple of times** in ways that are as unconvincing as they are unsatisfying.

That said, if you liked Snow Crash (or presumably any of his other works) you will probably like Diamond Age. It **is** necessary to keep your expectations in check, though. On a personal level, one of the aspects I really liked about Snow Crash was the wry narrative tone woven throughout, and that was very-much lacking throughout Diamond Age (I think I cracked a smile twice.) By all means, give it a go, but beware: the ending isn't so much a "let down" as a "plummet from 75 stories up."

Dated and yet... still a good time.

As is often the case within the science fiction genre, the novel relies too much upon the whiz-bang intricacies of a Victorian-retro future ruled by nanotechnology. Too often it veers into tangential details about this gizmo or that advancement which can be tiresome after a few hundred pages. Even worse, the conclusion of the novel features an abrupt, extreme shift in gears which seems forced, at best. However, despite all that, it retains Stephenson's manic charm, his innate ability to combine the wry and the cool into something more. There are dry spells, to be sure. Stephenson offsets them with moonlit martial arts duels, dashes of steampunk, swarm technology programs/orgies, and etc... It is a patchwork fantasy, and flawed. But it is still a great read, especially in snippets. Personally, I kept it in my bathroom for a few weeks. Worked well. Recommended for those who need some idle, interesting reading with more continutiy than the funny pages or Popular Mechanics or... yeah. Buy it and see! Or don't! }:-)

A remarkable vision of the future, that doesn't quite become tangible

The Diamond Age is an ambitious book, and one that kept me enthralled through about 350 of its 450 or so pages and then impatiently waiting for what turned out to be a highly improbable, fairly confusing, Hollywood style ending (where at all odds and in spite of massive casualties on all sides and the cataclysmic world-changing significance of the events they are caught up in, all of the main characters we're supposed to care about get the kind of familial reconciliations they want).

I didn't want to end up being disappointed by this book because I love Neal Stephenson's style and have enjoyed immensely every one of his other books -- I haven't gotten around to the few books he co-wrote with a relative, but they don't strike me as up my alley. The problem, it seems, with this book is the problem Stephenson confronts but admirably resolves in every one of his other books: it is the balance of story and background, of worldmaking and storytelling, or (in his most recent books) of history and speculative historical fiction. Here the balance between these seemed to oscillate back and forth until the weight of the world began to overwhelm my interest in the characters, and the trouble was that the world historical developments he was painting would be difficult to follow even for a contemporary.

When the story focuses on Nell and her primer it's exciting: like a futuristic version of Rousseau's Emile, where the problem is not merely to raise a child as independent in a world where we were increasingly dependent on others, but to raise a child capable of transcending and subverting a fully networked world in which interdependence is indispensable.

Where it gets into trouble is the effort to paint a shift from a "feed" based nanotechnological society (at least one or two technological revolutions beyond ours) to a "seed" based society (that I don't really understand at all even though he makes the political implications clear enough).

This is a good read, and a nice step forward in scope from Snow Crash -- but it gets a bit unwieldy and Stephenson doesn't to my mind quite pull it off. He does admirably in his next four books.