My Heart
Yes! I'm in the Barrel
Gut Bucket Blues
Come Back Sweet Papa
Georgia Grind
Heebie Jeebies
Cornet Chop Suey
Oriental Strut
You're Next
Muskrat Ramble
Don't Forget to Mess Around
I'm Gonna Gitcha
Droppin' Shucks
Who' Sit
He Likes It Slow
King of the Zulus
Big Fat Ma and Skinny Pa
Lonesome Blues
Sweet Little Papa
Jazz Lips
Skid-Dat-De-Dat
Big Butter and Egg Man
Sunset Cafe Stomp
You Made Me Love You
Irish Black Bottom
Willie the Weeper
Wild Man Blues
Chicago Breakdown
Alligator Crawl
Potato Head Blues
Melancholy Blues
Weary Blues
Twelfth Street Rag
Keyhole Blues
S.O.L. Blues
Gully Low Blues
That's When I'll Come Back to You
Put 'Em Down Blues
Ory's Creole Trombone
Last Time
Struttin' With Some Barbecue
Got No Blues
Once in a While
I'm Not Rough
Hotter Than That
Savoy Blues
Fireworks
Skip the Gutter
Monday Date
Don't Jive Me
West End Blues
Sugar Foot Strut
Two Deuces
Squeeze Me
Knee Drops
Symphonic Raps
Savoyagers' Stomp
No, Papa, No
Basin Street Blues
No One Else But You
Beau Koo Jack
Save It, Pretty Mama
Weather Bird
Muggles
Hear Me Talkin' to Ya?
St. James Infirmary
Tight Like This
Knockin' a Jug
I Can't Give You Anything But Love
Mahogany Hall Stomp
Ain't Misbehavin'
Black and Blue
That Rhythm Man
Sweet Savannah Sue
Some of These Days
Some of These Days
When You're Smiling (The Whole World Smiles With You)
When You're Smiling (The Whole World Smiles With You)
After You've Gone
Ain't Got Nobody
Dallas Blues
St. Louis Blues
Rockin' Chair
Song of the Islands
Bessie Couldn't Help It
Blue Turning Grey over You
Dear Old Southland
Rockin' Chair
I Can't Give You Anything But LoveAverage customer rating:
fahrenheit 451!There are very few box sets that I can stand to listen to wire to wire. That being said, this is one of them. This is plain and simple just great music that goes with anything. Come rain or shine, blue skies or grey, this music never gets old. Hour after hour it plays on, singing a lilting melody that drifts from light sprite chipper forest birds to low down in the gutter blues and back into the drifting cotton clouds. Ahhhhhh.
The Benchmark and the Rosetta Stone of JazzWhen I first heard these recordings I was stunned by the ferocity of the playing and the remarkable sound quality. I later heard the Columbia records releases and was appalled. I guess that Columbia has improved on their recordings but this company (JSP) really does something magical with old recordings. I primarily like jazz of the fifties and sixties but these recordings when you listen closely to the playing are every bit as modern as later bands. I am now a huge fan of Armstrong and these recordings are still my favorite. I can not believe the price on this box set, either. This is a steal. I was so inspired by the sound quality of these recordings and the JSP box sets of Joe VenutiThe New York Sessions 1926-1935/Eddi Lang and Jelly Roll Morton that I recently played an hour of music from the 1920's on my local radio show. I primarily used recordings from this fabulous label with a very heavy rotation of tracks from this amazing collection.
As good as classic jazz getsPrior to purchasing this set, I read a lot about the competing versions of the complete hot fives and hot sevens. Reviews and articles seemed evenly divided, with about half preferring this set, and about half preferring The Complete Hot Five and Hot Seven Recordings. In the end I chose this one because the reviews were slightly more favorable, and the packaging fits well with my collection, whereas the other set was said in some cases to have even faulty packaging. I would have to say that as far as I am concerned, the "quality of recording" issue was a non-starter. Sure there are occasional snaps and glitches and runs of white noise, but I have a lot of recordings that are far, far worse than these, and to my ears, these sound pretty clean overall. As for the music itself, well, it's Satchmo at his best mostly accompanied by the group that helped him make his name. Of course the songs are quaint and dated now, but I found everything quite entertaining nonetheless. (If you're a jazz fanatic, you know: you can't listen to the same kind of stuff all the time; you've got to mix it up!) All four CD's have a good mix of songs, even including some background (or up-front) studio talk, and the liner notes are generous and educating. Lots of classic songs, classic performances, and a wide-open window looking into the history and evolution of the American art form that is jazz. This set has a great return on investment and hours of enjoyable music. It's wonderful!
One out of four have Louie's voiceThree of the four CD's have very little vocals on them. One of the four CD's is worth the price because Louis sings on it often. I like his voice as well as his magnificent horn.
Armstrong's hot 5 and hot 7What can I say - it is Armstrong's groundbreaking period in Music history.
There was no band before, that played this way, making Armstrong a musical innovator. So simply for his awesome music (Gully Low Blues, Skid Dat De Dat, Cornet Chop Suey, Potatoe Head Blues, Melancholy Blues, the list goes on) 5 stars!
As for the sound quality - people keep arguing about this box set and the Columbia set, which I unfortunately have not heard. Those judgments ALWAYS depend on the sound equipment (mainly loudspeaker system) one set might sound better on one system as the other. Then again not quite as good on another system, while the other set sounds better, simply depending on the mix of each set and what frequencies each sound-system "favors"- generally I don't think there's too much of a difference in sound, to significantly make a difference, especially not with average Sound equipment. And don't forget "Modern" technology can only do so much with a single track recording - push it toward the mid, high or low (there's more to it, but you get the idea) - so go ahead and pick up this CD-Box set for yourself - you won't regret it - unless you're a sound maniac in which case you simply have to get both CD-sets.
J.S.