O vis eternitatis, response
Gallardas
Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gloria in Excelsis Deo
Trio for violin, oboe & continuo in G minor (Essercizii Musici No. 3
6), TWV42:g5: Allegro
Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11
Italian Concerto, for solo keyboard in F major (Clavier-Übung II
1), BWV 971 (BC L7): Presto
Stabat Mater, for 6 voices & organ: Excerpt
Das Fischermädchen ('Du schönes Fischermädchen'), song for voice & piano (Schwanengesang), D. 957
10
Mrs. Fetherston (Carolan's Devotion)
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a 2, per Motum contrarium
Cancion A dos Tiples
Adagietto, for orchestra (from the Symphony No. 5)
Symphony No. 101 in D major ('Clock'), H. 1
101: Menuet
T'amo mia vita, madrigal for 3 women's voices & continuo
Planxty Connor
Vespro della beata vergine, for chorus & instruments, SV 206: Intonatio: Deus in adiutorium Domine ad
Ora pro nobis beate Nicolae
Sonata for cello & continuo No. 7 in A minor, RV 44: Allegro poco
Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, H. 408, Wq. 46: Allegro assaiAverage customer rating: